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The Thin Place    by Kathryn Davis Amazon.com order for
Thin Place
by Kathryn Davis
Order:  USA  Can
Little, Brown & Co., 2006 (2006)
Hardcover, CD

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* *   Reviewed by Hilary Williamson

This unusual novel is set in Varennes, a town we are told is near the Canadian border. It opens as three elementary school friends (Mees, Lorna and Sunny) come across a man lying on the beach by Black Lake, seemingly dead. A mystic element introduced in the first paragraph continues as strong-willed Mees Kipp (who converses with Jesus on a regular basis) casually fishes for the dead man's spirit, and pulls it back to life. Davis tells us 'He was a man plucked from the jaws of death. A man given a second chance. A man who couldn't stop talking about the kind of man he now was.'

The story then hops all over the place, sketching a small town going about its usual business, and introducing a variety of townsfolk (likeable and otherwise). It circles around historical events, and is punctuated by further deaths - and revivals by Mees. There's a canine raid on a chicken coop, a preventable accident at the Crockett Home for the Aged (where I particularly enjoyed acerbic musings on aging and treatment of the aged by 92-year-old, sharp-witted, observant, independent Helen Zeebrugge), and there's even a faltering middle-aged romance involving Helen's son Piet and 50-ish Billie Carpenter.

These loosely interconnected events are presented from all kinds of points of view - the schoolgirls and various townsfolk, a pack of dogs, cats and even beavers building a dam in the lake - as the author charts the realization (gradually, and with a surprisingly easy acceptance) by a few of what is happening. Davis uses a similar technique to that in Fannie Flagg's Fried Green Tomatoes at the Whistle Stop Cafe by starting many chapters with excerpts from the local paper, police logs, or entries from the diary of Inez Fair, who long ago took children out on the lake in what turned into the 1873 Sunday School Outing Disaster.

Though I found The Thin Place a bit too rambling and steeped in symbolism for my tastes - and enjoyed the author's Versailles more - I loved her light irony and succinct, cutting characterizations, as in 'Kathy was her usual self, a public conveyance, a bus maybe, doors opening, doors closing, moving briskly from stop to stop.'

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